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How Notre Dame鈥檚 famed Grand Organ regained its distinctive voice

The Great Organ of Notre Dame, pictured on Nov. 29, survived the 2019 blaze but required extensive restoration.
Christophe Petit Tesson/AP via CNN Newsource
The Great Organ of Notre Dame, pictured on Nov. 29, survived the 2019 blaze but required extensive restoration.
SOURCE: Christophe Petit Tesson/AP via CNN Newsource
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How Notre Dame鈥檚 famed Grand Organ regained its distinctive voice
France鈥檚 largest musical instrument is ready to sound again.It took months of painstaking cleaning and decontaminating of 8,000 pipes, 115 organ stops and numerous other musical components, but on Saturday, the majestic tones of the Grand Organ of Notre Dame rang out once more.It was the first time the revived instrument had been played in front of an audience since the Parisian landmark went up in flames more than five years ago.Like the Virgin Mary statue that emerged from the blaze miraculously unscathed, the organ somehow managed to avoid significant damage in the April 2019 fire. It was structurally intact, but remnants of the collapsed lead roof filled its cavernous pipes and the cracks between its keys.That thick, yellow powder posed no threat to the instrument鈥檚 machinery, but the dust needed to be removed for another reason: it was toxic to humans.So, as with countless other centuries-old relics and architectural elements inside the cathedral, highly specialized craftspeople were required to get the organ back to its prefire form 鈥� or as close to it as possible.Veteran organ builder Laurent Mesme鈥檚 company, Orgues Quoirin, was one of three workshops chosen from across France to restore the Grand Organ.Mesme described the process as 鈥渋ncredible.鈥濃淚t was an exceptional worksite. Usually, the organ builder starts to work when everything is done,鈥� he said. 鈥淗ere, we had to work with the masons, the painters and all the other professionals on site.鈥漈he restoration process involved more than 30 artisans who spent months dismantling the organ and restoring its electrical and mechanical components before the deep clean. They were among more than 2,000 craftspeople in total to be involved in the cathedral鈥檚 restoration, many using traditional methods from generations ago, according to President Emmanuel Macron鈥檚 office.Tuning the organ took another six months.鈥淭his kind of maintenance, where you dismantle the entire organ, usually happens every 50 or 100 years,鈥� Mesme said. 鈥淭he next restoration isn鈥檛 going to happen any time soon.鈥漈o tune an organ, one needs a perfect ear and, typically, complete silence, the latter of which proved nearly impossible to find on the highly specialized construction site.To accommodate this, one team started tuning the pipes by day, while another team perfected the work through the night after construction teams had left.These nocturnal artisans were assisted by the four organists of Notre Dame, each of whom was intimately acquainted with the unique character of the organ鈥檚 sound from years spent playing the instrument.鈥淚t wasn鈥檛 possible any other way,鈥� said organist Olivier Latry. 鈥淒uring the day, it was impossible to do anything (with the noise).鈥滾atry had, in his words, lived with the organ 鈥渄ay and night鈥� since joining the cathedral in 1985. He said it felt strange to spend so much time away from it after the fire.鈥淚t鈥檚 really a very intimate bond that鈥檚 been established. And it鈥檚 funny, the fact that the organ has been out of commission for five years and we find it again, it鈥檚 a bit like finding an old friend we haven鈥檛 seen for a few years,鈥� he told CNN.Thanks to this collaboration between artisan and musician, the sound of the organ has been restored to exactly as it was before the fire.Latry and Notre Dame鈥檚 three other organists played when the cathedral hosted its reopening ceremony on Saturday. The music for what organizers dubbed the 鈥済rand awakening鈥� of the organ was improvised by the musician based on the emotion of the historic moment, according to Latry.When they finally played, the artisans who restored the organ etched their own unique mark onto a piece of French history.鈥淓very time there has been a restoration, the organ builders have preserved what the previous organ builders have done. As a result, the organ is not the work of a single builder. It鈥檚 really a shared work that unfolds over three or four centuries,鈥� Latry said.鈥淚t鈥檚 a bit like this organ is the history of France,鈥� he added.

France鈥檚 largest musical instrument is ready to sound again.

It took months of painstaking cleaning and decontaminating of 8,000 pipes, 115 organ stops and numerous other musical components, but on Saturday, the majestic tones of the Grand Organ of Notre Dame rang out once more.

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It was the first time the revived instrument had been played in front of an audience since the Parisian landmark went up in flames more than five years ago.

Like the Virgin Mary statue that emerged from the blaze miraculously unscathed, the organ somehow managed to avoid significant damage in the April 2019 fire. It was structurally intact, but remnants of the collapsed lead roof filled its cavernous pipes and the cracks between its keys.

That thick, yellow powder posed no threat to the instrument鈥檚 machinery, but the dust needed to be removed for another reason: it was toxic to humans.

So, as with countless other centuries-old relics and architectural elements inside the cathedral, highly specialized craftspeople were required to get the organ back to its prefire form 鈥� or as close to it as possible.

Veteran organ builder Laurent Mesme鈥檚 company, Orgues Quoirin, was one of three workshops chosen from across France to restore the Grand Organ.

Mesme described the process as 鈥渋ncredible.鈥�

鈥淚t was an exceptional worksite. Usually, the organ builder starts to work when everything is done,鈥� he said. 鈥淗ere, we had to work with the masons, the painters and all the other professionals on site.鈥�

The restoration process involved more than 30 artisans who spent months dismantling the organ and restoring its electrical and mechanical components before the deep clean. They were among more than 2,000 craftspeople in total to be involved in the cathedral鈥檚 restoration, many using traditional methods from generations ago, according to President Emmanuel Macron鈥檚 office.

Tuning the organ took another six months.

A file photograph from 2004 shows Notre Dame's organ.
Stephane de Sakutin/AFP/Getty Images via CNN Newsource

鈥淭his kind of maintenance, where you dismantle the entire organ, usually happens every 50 or 100 years,鈥� Mesme said. 鈥淭he next restoration isn鈥檛 going to happen any time soon.鈥�

To tune an organ, one needs a perfect ear and, typically, complete silence, the latter of which proved nearly impossible to find on the highly specialized construction site.

To accommodate this, one team started tuning the pipes by day, while another team perfected the work through the night after construction teams had left.

These nocturnal artisans were assisted by the four organists of Notre Dame, each of whom was intimately acquainted with the unique character of the organ鈥檚 sound from years spent playing the instrument.

鈥淚t wasn鈥檛 possible any other way,鈥� said organist Olivier Latry. 鈥淒uring the day, it was impossible to do anything (with the noise).鈥�

Latry had, in his words, lived with the organ 鈥渄ay and night鈥� since joining the cathedral in 1985. He said it felt strange to spend so much time away from it after the fire.

鈥淚t鈥檚 really a very intimate bond that鈥檚 been established. And it鈥檚 funny, the fact that the organ has been out of commission for five years and we find it again, it鈥檚 a bit like finding an old friend we haven鈥檛 seen for a few years,鈥� he told CNN.

Thanks to this collaboration between artisan and musician, the sound of the organ has been restored to exactly as it was before the fire.

Latry and Notre Dame鈥檚 three other organists played when the cathedral hosted its reopening ceremony on Saturday. The music for what organizers dubbed the 鈥済rand awakening鈥� of the organ was improvised by the musician based on the emotion of the historic moment, according to Latry.

When they finally played, the artisans who restored the organ etched their own unique mark onto a piece of French history.

鈥淓very time there has been a restoration, the organ builders have preserved what the previous organ builders have done. As a result, the organ is not the work of a single builder. It鈥檚 really a shared work that unfolds over three or four centuries,鈥� Latry said.

鈥淚t鈥檚 a bit like this organ is the history of France,鈥� he added.